A mid-run visit to Theatre Arlington’s latest production of The Wiz turned into a thrilling, visceral experience thanks to the undeniable magnetism of its cast. Directed with a lovely touch by Sasha Maya Ada, Dorothy’s adventure turned into a perpetual delight. Under her direction, the cast and band captured the show’s soulful heart even when the visual journey to Oz felt somewhat under-realized.
Of course, the show automatically hinges on the central performance of Dorothy, the young girl whisked away to the fantastical land of Oz. In short order, Kayla Haskins, in her TA debut, proved she was just right for this part. She conveyed the wide-eyed wander of youth with a wonderful ease. Vocally, she delivered powerful vocals on the signature ballad “Home” while shifting into the joyful moods of other numbers.
She was matched by the strong trio of actors playing the Scarecrow, Tin Man, and Lion, all who each provided a proper mix of comedic levity and sweet sincerity.
In order, we first meet the Scarecrow which Maxton Rhys Sims played with a puppet-like verve. His lanky, scrappy performance brought a stirring charm to the character. In the Tin Man role, Zachary J. Willis’ giant-sized performance embodied a nimble but dynamic presence onstage through physical comedy and stellar vocals. Perhaps having the most fun of all was Christion Dior Draper as Lion. A wonderful audacious performance, Draper’s comedic zing was on fire his entire time onstage which amped up the already energetic spirit of the show.
The witch community was played by an impressive lot. Noelle Saul’s Addaperle was superbly feisty which gave contrast to Janette Robinson’s more restrained and elegant Glinda, Addaperle’s sister. And Theresa Shenell Stuckey’s bold and brash performance as Evillene, the Wicked Witch of the West, was a highlight. Stuckey’s charisma and a powerhouse voice could not be contained which gave her full control of the stage – and audience – in her few scenes.
As the Wiz, Jayden Russell churned out another standout performance. They gave televangelist vibes as the all-knowing which was an ideal flair for such a character.
Music director Joe Rogers’ work both with the cast and the band meshed well with the talents onstage as well as filling up the room with the show’s inspired score.
While the talent reached for the stars, the set remained notably grounded. Certainly functional with risers and occasional set pieces, it lacked the immersive, robust environment for such a vibrant story. The scenic landscape was often sparse which held back on any resolve into the Land of Oz that left a void the actors had to fill with pure energy.
And that they did, which resulted in a touching finale and a satisfying journey for Theatre Arlington’s The Wiz.
The show runs through June 21.
–Rich Lopez