The drama hits hard in Uptown Players’ current play, we are continuous. Playwright Harrison David Rivers brings his perspective to the Black queer continuum with a mix of humor and heft as one man first comes to terms with his identity but then is challenged by his family and his illness.
In the three-man show, Simon discovers his sexuality and orientation, but his mother Ora, a religious traditionalist, has the difficult time of accepting Simon’s revelation and echoes his father’s unwelcoming sentiments. But she does it with hesitation. As Simon grows into a young gay man, he meets and ultimately marries Abe. Simon’s parents forgo the wedding and tolerate Simon and Abe’s happy relationship. When Simon contracts a virus, everyone’s world is turned upside down.
Staged on the Theatre Three stage, director Natalie King helmed the show with a poetic hand that let the play naturally unfurl. The cast’s naturalistic performances layered the show with a range of emotions that added to the dramatic vibe. Rivers’ narrative did get a bit Lifetime movie in the last act, but under King’s lead, the play succeeded in delivering a poignant story of love and family.
Quintin Jones was sublime as Simon. A playful performance, Jones kept his character light which made for greater impact later in the show. Micah J.L. Brooks was an ideal match as the affable Sam. He also packed a punch in more touching moments between the two. Their chemistry was strong with affection and nuance.
As Ora, Denise Lee’s portrayal was strong in playing the conflicted mother. She balanced being both loving and aloof with her son. Her magical moments though came as Ora had to interact with her son’s husband. With slight shifts and looks, Lee said so much with little and the result was remarkable.
While we are continuous gives attention to the Black gay experience, the story doesn’t discriminate. From the closet to rejection to reunion, the story is a familiar one for many gay or queer men if not a timeless one.
The show runs through Sunday.
–Rich Lopez